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Eric Deggans

Eric Deggans is NPR's first full-time TV critic.

Deggans came to NPR in 2013 from the Tampa Bay Times, where he served a TV/Media Critic and in other roles for nearly 20 years. A journalist for more than 20 years, he is also the author of Race-Baiter: How the Media Wields Dangerous Words to Divide a Nation, a look at how prejudice, racism and sexism fuels some elements of modern media, published in October 2012, by Palgrave Macmillan.

In August 2013, Deggans guest hosted CNN's media analysis show Reliable Sources, joining a select group of journalists and media critics filling in for departed host Howard Kurtz. Earlier in the same month, he was awarded the Florida Press Club's first-ever Diversity award, honoring his coverage of issues involving race and media. He received the Legacy award from the National Association of Black Journalists' A&E Task Force, an honor bestowed to "seasoned A&E journalists who are at the top of their careers." Deggans serves on the board of educators, journalists and media experts who select the George Foster Peabody Awards for excellence in electronic media.

He also has joined a prestigious group of contributors to the first ethics book created in conjunction with the Poynter Institute for Media Studies for journalism's digital age: The New Ethics of Journalism, published in August 2013, by Sage/CQ Press.

Deggans has won reporting and writing awards from the Society for Features Journalism, American Association of Sunday and Feature Editors, the Society of Professional Journalists, the National Association of Black Journalists, The Florida Press Club and the Florida Society of News Editors. In 2010, he made national headlines interviewing former USDA official Shirley Sherrod at the NABJ's summer convention in San Diego, leading a panel discussion that was covered by all the major cable news and network TV morning shows.

Named in 2009, as one of Ebony magazine's "Power 150" – a list of influential black Americans which also included Oprah Winfrey and PBS host Gwen Ifill – Deggans was selected to lecture at Columbia University's prestigious Graduate School of Journalism in 2008 and 2005. He has lectured or taught as an adjunct professor at Loyola University, California State University, Indiana University, University of Tampa, Eckerd College and many other colleges.

His writing has also appeared in the New York Times online, Salon magazine, CNN.com, the Washington Post, Village Voice, VIBE magazine, Chicago Tribune, Detroit Free Press, Chicago Sun-Times, Seattle Times, Emmy magazine, Newsmax magazine, Rolling Stone Online and a host of other newspapers across the country.

From 2004 to 2005, Deggans sat on the then-St. Petersburg Times editorial board and wrote bylined opinion columns. From 1997 to 2004, he worked as TV critic for the Times, crafting reviews, news stories and long-range trend pieces on the state of the media industry both locally and nationally. He originally joined the paper as its pop music critic in November 1995. He has worked at the Asbury Park Press in New Jersey and both the Pittsburgh Post-Gazette and Pittsburgh Press newspapers in Pennsylvania.

Now serving as chair of the Media Monitoring Committee for the National Association of Black Journalists, he has also served on the board of directors for the national Television Critics Association and on the board of the Mid-Florida Society of Professional Journalists.

Additionally, he worked as a professional drummer in the 1980s, touring and performing with Motown recording artists The Voyage Band throughout the Midwest and in Osaka, Japan. He continues to perform with area bands and recording artists as a drummer, bassist and vocalist.

Deggans earned a Bachelor of Arts in political science and journalism from Indiana University.

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The Emmy Awards air tonight on NBC, celebrating the best work in television. NPR TV critic Eric Deggans worries they might not get it right. So he's come up with his own awards - the Deggys (ph).

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The character Jim Carrey plays on his new TV show just might remind you of someone else you've seen on television over the years. This is how he's described in the first episode when he visits Conan O'Brien's late-night talk show.

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Roseanne Barr has just given a master class on how not to apologize for a massive public flameout.

Appearing on Fox News pundit Sean Hannity's show Thursday, Barr claimed the backlash over a widely condemned racist tweet that led to ABC canceling her show was a huge misunderstanding.

The tweet implied that senior Obama adviser Valerie Jarrett was the offspring of the Muslim Brotherhood and an ape. Barr's defense? She didn't know Jarrett — who was born in Iran to American parents — was an African-American woman.

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And finally today, we are going to hear more about the creative life of Robin Williams. He is the subject of a new HBO documentary airing tomorrow night called "Robin Williams: Come Inside My Mind."

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Disney has moved one step closer to purchasing a big chunk of 21st Century Fox. On Wednesday, the Justice Department announced it had approved the proposed deal, valued at a total $71.3 billion.

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The best thing about seeing previously marginalized groups claim their own space in pop culture is it often ends up showing — in the most compelling ways — how alike we all really are.

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Well, if you can't stand to watch the game, HBO's new drama series "Succession" debuts on Sunday. It centers on an 80-something media mogul resisting retirement. Here's NPR's TV critic Eric Deggans.

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Now that ABC's Roseanne reboot has wrapped up its unexpectedly successful nine-episode run, it's worth asking a simple question:

What just happened?

What didn't happen was what some pundits feared when the show debuted: ABC positioning a hit TV show to embrace and normalize what they believe are the worst aspects of Donald Trump's ideology. Instead, star Roseanne Barr used her personal support for the president and the character's admission she voted for Trump to pull off the TV season's most masterful head fake.

Finally, we no longer have to use the word "allegedly."

A court of law has delivered a verdict that the court of public opinion seemed to have already reached: Bill Cosby, 80, has been found guilty of three counts of aggravated indecent assault, resulting from allegations first made by Andrea Constand back in 2005.

The public eventually saw more than 60 women accuse "America's dad" of sexual misconduct and assault, with many alleging he surreptitiously drugged them first. This is the first of those stories to get a verdict.

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Olivia Pope is about to handle her final crisis. She's the fictional political fixer at ABC drama "Scandal," which airs its final episode tonight. Here's NPR TV critic Eric Deggans.

One of my greatest lessons in the power of representation on TV came from watching an episode of Scandal.

In fall 2013, I spent an evening with a group of black and brown women watching an installment from the show's third season. We were gathered in a comfortable, tastefully decorated town house in Washington, D.C. Spirits were high — everyone was ready to watch political fixer supreme Olivia Pope (Kerry Washington) tackle the latest bizarro crisis invented by series creator Shonda Rhimes.

Be warned: The review below contains plenty of spoilers about past and present episodes of Billions.

The biggest problem Showtime's Billions has: It's a show that is way too easy to underestimate.

At a time when income inequality and the struggles of the middle class are front-page news, it's tough to lionize a show about a millionaire U.S. attorney in an all-consuming personal and professional grudge match with a billionaire hedge fund owner.

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It seems like another example of television's gender pay gap: executive producers of Netflix's drama The Crown have admitted that star Claire Foy, who played Queen Elizabeth, was paid less than Matt Smith, the supporting actor who played her husband, Prince Philip.

But a look at the details of this deal also shows how well stardom pays off in show business, especially when an actor in a supporting role is more famous than the star of their new television series.

After watching ABC's two-hour premiere of its American Idol reboot, I'm still not sure they answered the most important question: Why bring this faded music competition back now?

The easy answer is money.

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Last night, for the first time, TV viewers saw a 2006 interview where O.J. Simpson talked about the murder of his ex-wife, Nicole Brown, and her friend Ronald Goldman.

(SOUNDBITE OF TV SHOW, "O.J. SIMPSON: THE LOST CONFESSION?")

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It's been nearly two years since we heard someone say...

(SOUNDBITE OF TV SHOW, "AMERICAN IDOL")

RYAN SEACREST: This is "American Idol."

Marvel's Jessica Jones follows an alcoholic private eye who has superstrength and serious anger issues.

In a scene from the show's second season, due Thursday on Netflix, Jessica gets a little carried away in anger management class. She bounces a rubber ball against a wall while talking about what makes her emotional: "My whole family was killed in a car accident. Someone did horrific experiments on me. I was abducted, raped and forced to kill someone." Eventually, the wall gives way.

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