It's a story that would seem excessive for even the most lurid of "real life" dramas, or blood-soaked slasher movies. But it's always been right at home in the opera house — Richard Strauss' intense, one-act opera, Elektra.
It's easy to wonder whether actual events in the lives of great composers are directly reflected in their music. Sometimes people even argue about it. But in the case of personal tragedies early in Giuseppe Verdi's life, the case seems like a slam dunk.