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Black classical musicians have been composing substantial music for centuries. This February, we shined the spotlight on a score… one every weekday… of great composers with roots in Africa.We met Le Mozart Noir… the man who not only was a world-famous swordsman, but an acknowledged master of the violin bow and the composing quill, playing duets with Queen Marie Antoinette. We visited a city of Creole musical dynasties, when New Orleans was home to the finest orchestras in the new world. We rediscovered a woman tirelessly composing in Chicago’s Bronzeville neighborhood, many of whose works were likewise rediscovered: in a dilapidated downstate summer house, leading to a worldwide wave of interest in her music. And we heard a sinfonietta by a 2oth century New York composer… who himself was named after an Afro-English composer whose interest in American music made him a 19th century fan favorite in the U.S.Looking for the music? TSPR Music Director Ken Zahnle shares all the compositions he featured on Ovation on a Spotify playlist.

Henry Thacker Burleigh

Wikimedia

Henry Thacker Burleigh was born in Erie, Pennsylvania in 1866. His grandfather, who taught his grandson to sing traditional spirituals and slave songs, had been born a slave and purchased freedom for his family in 1832.

Young Burleigh worked many jobs… streetlamp lighter, newspaper hawker, printer’s devil, and stewarding aboard steamboats on Lake Erie… before securing a scholarship to attend New York City’s National Conservatory of Music.

The story goes that Burleigh was working his way though school doing odd jobs around the building when the Director… the world-famous Czech composer Antonin Dvorak… heard Henry’s impressive baritone voice singing spirituals in the hallway. Burleigh said: "I sang our songs for him very often, and before he wrote his own themes, he filled himself with the spirit of the old Spirituals." Dvorak in turn said: "In the negro melodies of America I discover all that is needed for a great and noble school of music.”

After Conservatory, Burleigh became a noted concert soloist of art songs and opera arias and, of course, African-American folk songs, even singing for King Edward VII in London.

In 1894, he became a soloist for St. George's Episcopal Church in New York City. His appointment found some opposition at the then all-white church, and the trustee’s vote was close with, of all people, financier J.P. Morgan casting the deciding vote. But the parish soon came to love their first-rate singer, whose career at the church lasted 52 years until his retirement.

As a composer and arranger Burleigh published between two and three hundred original works, and his famous settings of spirituals, including “Deep River” and “Go Down Moses,” were instrumental in popularizing the genre.

Burleigh was also a founding and board member of ASCAP and was the 1917 recipient of the NAACP’s Spingarn Medal for outstanding achievement by an African American.

Henry Thacker Burleigh… classically black.

Ken oversees all music programming for Tri States Public Radio, hosting the morning classical music program Ovation, the Saturday nigh jazz survey After Hours, and engineering recorded performances for TSPR. Ken is a native of Highland Park, IL, with degrees in music and broadcasting from Western Illinois University. Teenage years listening to Chicago's old-school fine arts and classical radio stations, coupled with a few months spinning discs on a college residence hall radio station, led him onto the primrose career path of radio. Ken has deep roots at TSPR, starting as a student staff announcer and host, before becoming news director for a group of local radio stations, then Program Director for Tri States Audio Information Services. When he's not deep within our studios and music library, he continues his over quarter-century of assisting Macomb High School's Marching Band.