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In the early 1960s, writer Norton Juster and illustrator Jules Feiffer created The Phantom Tollbooth, which quickly became a kid-lit classic. Now, 50 years later, the two have finally collaborated once more — this time, on a picture book called The Odious Ogre. They speak to NPR's Liane Hansen about their partnership and their new project.

In their new book, Annoying: The Science Of What Bugs Us, NPR Science Correspondent Joe Palca and Science Friday's Flora Lichtman set out to examine why certain things — and people — drive us bananas.

It's easy to feel the romance in the musical relationship between Michael Trent and Cary Ann Hearst, who've become musical embodiments of how loving couples make it work.

Rock critic Ken Tucker says that Beyonce's new album, titled 4, is something of a risk – it's not merely a collection of new songs, but a personal reassessment of the kind of pop star she wants to be.

Elvis Presley is constantly being discovered by new generations, and by older fans in new stages of life. Critic Milo Miles talks about the surprise rewards he found while listening to the new reissue Elvis Is Back! — and during his first visit to Graceland in Memphis.

Long Lost Suitcase is not just Jones' story, but also the story of America's musical roots spreading to reach the whole planet, generation by generation.

More than three decades after Pancho & Lefty, the country titans pair up again, this time for an album that puts eclecticism front and center.

Authorities issued their first ever "red" warning for extreme heat early next week. The alert covers large parts of England on Monday and Tuesday when temperatures may reach 104 F for the first time.

Broadway musicals of the 1960s were surprisingly good at explaining complicated economic matters. Before tourists took over the Great White Way, the "tired businessman" was the target audience. These four songs are particularly illustrative of the kind of vaudeville mixed with corporate-speak that the businessman favored.

The Aces' full-length debut is a pop confectionery, and fit to be blasted from car stereos, but there's substance to its sweetness