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  • John Williams' Stoner sold just 2,000 copies when it was originally published in 1965. It's now acknowledged as a classic work, is a best-seller across Europe and the No. 1 novel in the Netherlands.
  • Four albums of reissues and archival recordings from Crosby's own vaults are getting a high-profile release; they demonstrate that his influence on modern singing is so huge, we barely notice it anymore. He could sing anything from Latin to Hawaiian to The Great American Songbook.
  • Three witnesses, billed as whistle-blowers, expressed sadness and frustration with how the military and White House responded to the Sept. 11, 2012, attack that killed the U.S. ambassador.
  • Claes Oldenburg is one of the best-known American pop artists. Critic Lloyd Schwartz found himself not alone in enjoying the current Oldenburg exhibit at the Museum of Modern Art, which continues through Aug. 5.
  • Mexico City has largely been spared the drug violence in other parts of the country. But a brazen daylight abduction of 12 young people from a Mexico City bar is putting the spotlight on one of the capital's roughest neighborhoods, and putting the popular mayor on the defensive.
  • For this week's Sandwich Monday, we try "The T-Rex Burger," a nine-patty monster that, until this week, had been on the menu of a renegade Canadian Wendy's franchise.
  • Founded in 1962, the Van Cliburn International Piano Competition continues this year without the presence of its iconic namesake. But organizers and contestants believe the contest — as well as its high standards and ability to boost careers — will remain.
  • Also: The folly of marathon readings; Tom Wolfe has a new book; VICE apologizes for tasteless photo spread.
  • Perhaps no active climber is more closely associated with Mount Everest these days than Conrad Anker, who's also made the preservation of the world's highest mountain one of his priorities. If you've been to Mt. Everest, join our Sunday Conversation and tell us about your experience.
  • Sherman worked a tight niche: classic songs rewritten to tickle a Jewish audience's funny bone. A new biography, Overweight Sensation: The Life and Comedy of Allan Sherman, explains how the performer's 1960s crossover fell in line with a collective awakening to ethnic identity in America.
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