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  • David Jaher's account of Harry Houdini attempt to debunk Boston society psychic Mina Crandon mixes history with high-wire theatricality — even though most readers will know who came out on top.
  • Seven officials were arrested in Switzerland. "This really is the World Cup of fraud," says Richard Weber, chief of the IRS' Criminal Investigation unit, "and today we are issuing FIFA a red card."
  • The girl named Victoria wrote a letter to Prime Minister Jacinda Ardern and explained that she's trying to acquire telekinetic powers to become a dragon trainer. She included a $5 New Zealand note.
  • When Pittsburgh-based PNC purchased Washington, D.C.'s Riggs Bank last year, it acquired more than it was after. That's because Riggs Bank was "the bank of presidents," and its assets included an extensive historical archive.
  • In 1928, violinist Louis Kaufman became the first person to buy a painting by Milton Avery. A year later, The Phillips Collection in Washington, D.C., became the first museum to acquire a work by Avery. NPR's Susan Stamberg reports on a new exhibit at the Phillips that celebrates the long friendship between the two artists. See paintings and photos from the show.
  • Acorn Media distributes British TV series in the United States, and now it's acquired a controlling interest in the estate of Agatha Christie. The late author of murder mysteries has sold billions of books.
  • AT&T announces plans to acquire Atlanta-based BellSouth in a deal worth about $67 billion. The move would dramatically expand AT&T, which already has more customers than any other U.S. telecommunications company.
  • As facial recognition software becomes easier to acquire, businesses are using it to surveil and analyze customers. Bloomberg's Parmy Olson explains where and how the technology is being deployed.
  • The two Republican senators had been holdouts, but now the bill appears on track for passage next week.
  • The new CEO of The Washington Post and his hand-picked news chief come from a tradition of rough-and-tumble British journalism that plays loose with ethics, compared to U.S. media.
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