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Review: Son Lux, 'Brighter Wounds'
Brighter Wounds achieves another breakthrough during a fraught and heartbreaking period. It's the band's most personal album yet.
Review: Shamir, 'Revelations'
Shamir Bailey's stripped-down, self-produced songs are brimming with self-assurance and confidence, even in the midst of anxiety and heartache.
Review: Rhiannon Giddens, 'Freedom Highway'
In her new work, the Carolina Chocolate Drops vocalist speaks for the truly silenced: slaves; those murdered during the civil rights movement; young men felled by police bullets in city streets today.
Review: Alison Krauss, 'Windy City'
Krauss' first solo album since 1999 shows off her intelligence and good humor in versions of classic songs that are delightfully down to earth.
Review: Cody ChesnuTT, 'My Love Divine Degree'
A studio session with Kanye led to a new album that finds the soul eccentric extending his fatherly compassion, and a helping of funk, to the world at large.
Review: Tinariwen, 'Elwan'
After the chaos, warfare and corruption of the past several years in their native country, the Tuareg guitar gods deliver a more bitter message.
Review: RaeLynn, 'WildHorse'
Stream the budding country star's beguiling debut album before its official release on March 24.
Review: Valerie June, 'The Order Of Time'
Labor, longing and reverie exist side by side on the songwriter's regal new album.
Review: Willie Nelson, 'God's Problem Child'
At 84 years young, the Red Headed Stranger still has it. Stream God's Problem Child in its entirety before its release on April 28.
Review: Alvvays, 'Antisocialites'
The Toronto indie-rock band's sophomore album builds on the promise of its celebrated debut.
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